I promised you a Practitioner who roars, but first, I’d like to share a little something that needs to be spoken out loud.

I spent years in the spiritual community feeling like I was doing it wrong. Sitting in group healings that made my skin crawl. Nodding along to teachings that didn’t feel right in my body but seemed to land for everyone else. Following people who spoke with such certainty that I figured the problem must be me. If I couldn’t understand it, I wasn’t evolved enough. If it felt off, I needed to push through. If I questioned it, I was “resisting.”

Here’s what I know now. That icky feeling was my intuition and it was right every single time. 

The spiritual community, like every other system, has its own matrix. Its own set of rules about what’s right and wrong, what enlightenment looks like, who’s further along the path, and who gets to stand at the front of the room and tell you how to get there. If you don’t conform, something must be wrong with you.

Sound familiar? It should. It’s the same structure as everything else we’ve been told not to break free from. It just comes wrapped in sage smoke and good vibes.

So here’s what I want to say to anyone who’s coming into their knowing right now, or who’s been on this path for a while and still feels that quiet twinge of “something’s not right here”, trust yourself.

Not the guru. Not the course. Not the person on stage who seems to have all the answers. Not the group that insists you participate in something that makes you uncomfortable and then tells you the discomfort is a “lesson.” Not every experience is a lesson. Sometimes it’s just your gut telling you to leave.

Your heart knows and your body knows. That feeling you get when something doesn’t sit right. It’s not resistance, it’s your innate intelligence.

I’ll give you a small example from my own life. Meditation. In the spiritual community, it was the thing. Sit in silence, quiet the mind and if the mental chatter won’t stop, try harder. Don’t get me wrong, it works for many people but not for me. For years I thought I was failing at it because traditional meditation never felt like home to me. Turns out, my meditation is creation. When I paint, when I’m in the flow of making something, that’s where I find the stillness. 

Maybe yours is music. Maybe it’s gardening. Maybe it’s running or reading or cooking. There’s no one way and there never was.

I'll be honest with you, some days, I'm not entirely sure what I believe about all of this. I channel paintings. I receive messages. I watch synchronicities stack up in ways that are hard to explain. And then some mornings I wake up and think, really? But then I watch someone stand in front of one of these paintings and something moves through them. Tears, truth bumps or an emotion they weren't expecting and can't hide. You can't fake that moment and it's in those moments that I have to remind myself: something is happening here, even if I can't always explain it. I see both sides, I live in that space between knowing and questioning, and I've stopped trying to resolve it. I think that's actually where the good stuff lives. Right there in the tension between faith and doubt.

The moment someone tells you they have it all figured out, that’s your cue to walk or run the other way.

LION’S GATE — THE ORIGINAL PAINTING

60 x 48 x 1.5 inches. Acrylic, silk paint and glass beads on canvas.

If this Practitioner is calling to you, the original painting is available. View Lion’s Gate

Prints are also available through Pictorem. Browse prints

COMING NEXT WEEK

A painting that found its way to a stranger at three in the morning, what happened next is one many extraordinary stories I’ve ever been part of and another Practitioner steps forward.

Until next week, I will be questioning everything, trusting myself and charging the wine anyway,

Lisa

I don’t always know what’s coming through when I start a painting. Sometimes it reveals itself slowly, one layer at a time, like peeling back something ancient. Other times, it’s immediate. A knowing, a pull that doesn’t let go until the canvas catches up to whatever is trying to come through.

With Lemuria, the pull was oceanic, pun intended.

She came through in layers, the way memory does when it’s not from this lifetime. First the water. Then the currents of colour... teals and golds and deep oceanic blues pulling across the canvas like tides responding to something I couldn’t see yet. Then the whale appeared, carrying the Flower of Life within its body as though sacred geometry were as natural as breathing.

And then she emerged. The face on the right, barely there and entirely there at the same time. Eyes visible, her hair flowing into the currents of energy that move through the entire painting, as though she and the water and the light were never separate things to begin with.

That’s Lemuria. Not just the painting, but the place. The memory. The feeling you get when you look at this work and something in your chest says I know this.

THE PAINTING

Lemuria is one of The Practitioners, my collection of living, multidimensional healing paintings that operate through colour, sacred geometry, and frequency. She is 60 x 48 inches of acrylic on canvas and she is very much alive.

Look closer and you’ll see what I mean. The whale carries the Flower of Life encoded in its body, one of the most ancient and powerful sacred geometry patterns known to exist. It’s the same geometry found in cell division, in the structure of crystals, in the way a nautilus builds its shell. The whale holds this pattern the way a messenger holds a letter... with purpose. Above it, a dolphin leaps through the currents, and if you look carefully at the flowing lines on the left side of the painting, a white pegasus emerges from the imagery, wings and all, as though riding the energy between worlds.

The golden-orange fish near the centre radiates warmth and vitality against all that blue, a spark of individuality within the collective flow. The luminous orbs scattered through the composition are portals, doorways, openings between dimensions. And those radiating lines of gold and green? They pulse outward like light codes being transmitted through water, which, if you understand frequency, is exactly what’s happening.

The colours alone tell a story. The deep blues and teals speak to the throat and third eye: communication, intuition, seeing beyond. The golds carry solar energy: divine feminine wisdom, activation, remembrance. The greens are the heart. Always, the heart.

I later added a Flower of Life upgrade to the portal in the bottom right corner, an amplification of the sacred geometry already woven throughout. Think of it as turning up the volume on a frequency that was already playing.

THE PRACTITIONER SPEAKS

Every Practitioner carries a channelled message, words that come through during or after the painting process. These aren’t things I write. They’re things I receive. Here is what Lemuria had to say:

“Do you see YOU when you look into my eyes? Do you see your soul and remember? Welcome home. I am here to reflect back to you the power and wisdom you hold. As a divine feminine Lemurian, you were honoured as an integral part of a spiritually aware society. You were a Shaman and the holder of the spiritual wisdom. We lived together in community as healers, priestesses, and empowered women many lifetimes ago. Feel the power in that. You have now come back this lifetime to reunite with your sisters to rejoice, to grieve, to laugh and to heal. To build communities again and bring back the long forgotten vows you’ve made. Heal the hurt of losing all the parts of your soul through separation of self and separation from others. You are whole. You are a divine reflection of source and you are a channel of cosmic energy. We are grateful you answered the call to come together again in this lifetime to share your gifts. Let us rise together.”

If you felt something reading that, a tightness in your chest, truth bumps, a quiet knowing... that’s not your imagination. That’s recognition.

Sandy felt it too:

“It is breathtaking!!! Like truly breathtaking. Wow. It makes me feel a longing when I look at it somehow. Almost as if I can feel at home there more than I sometimes do here. Also safe and protected by having those other beings by her side.”— Sandy S.

Sandy had never read the channelled message when she said that. She didn’t need to. The painting told her everything, and her soul already knew.

LEMURIA: THE PLACE, THE MEMORY

For those unfamiliar, Lemuria was an ancient civilization believed to have existed largely in the Southern Pacific, between North America and Asia/Australia, predating even Atlantis. At its peak, the Lemurian people were both highly evolved and deeply spiritual, living in conscious cooperation with the Creator and possessing abilities we are only now beginning to remember.

The loss of Lemuria was devastating. But the love, the beauty, and the spirit of that civilization lives on in those who remember. This painting is a living visual record of that remembrance. It represents what it felt like to live as one with nature, in harmony and peace, as Lemuria rises again.

And rise it does. Through the people who feel this connection. Through the healers, the empaths, the women rebuilding community and remembering their power. Through you, perhaps, reading this right now and wondering why your eyes are wet.

THE SYNCHRONICITY: HOW LEMURIA FOUND HER WAY TO HEART OF HEALING

This is how things work when you stop trying to control the story and let the paintings write it themselves.

My friend Colleen, a Quantum Healing Arts Practitioner, was hosting a women’s circle at a local coffee shop called Tribal Connections. She asked if I’d bring Lemuria along, feeling the painting would have an impact on the women attending. I said of course, created a write-up about the painting, and printed two copies. One I attached to the canvas, and one I set on a table for anyone to read.

After a beautiful event, I went to collect everything. One printout was there. The other had vanished.

In true Colleen fashion, she smiled and said, “Whoever finds it is meant to have it.”

One week later, Colleen walked back into the same coffee shop and straight into a group of friends who had just been talking about the event and about my painting. And there she was: Melanie, the woman who had found the write-up who was an Akashic Record Practitioner. She had a deep connection to Lemuria and had just started working out of a place called Heart of Healing, a healing centre with a light, sound, and vibrational therapy room, among other modalities.

The moment she described the centre, I knew I had to experience it.

Let’s just say when I met Roxane, the owner, it was like reuniting with someone from another lifetime. The session itself was out of this world. It did for me what my paintings do for others. It was like an energy upgrade. I could see fractal images, like looking through a kaleidoscope of light and geometry. And in that experience, something clicked. I suddenly understood how to create videos showing the way energy moves through my paintings using sound, movement, and animation.

Within a week of meeting Roxane, I had covered the walls of Heart of Healing with The Practitioners. They lived there for two years, working on every person who walked through those doors for light and sound therapy, whether those people knew a painting was working on them or not.

One missing printout. One coffee shop. One woman who was meant to find it. And suddenly a healing centre had living art on its walls, I had a new creative breakthrough, and a friendship was born that felt ancient the moment it began.

That’s not coincidence. That’s how The Practitioners operate.

LEMURIA IS AVAILABLE

Lemuria is currently available for purchase. She is looking for her person, or perhaps she’s already found them and they just haven’t realized it yet.

Lemuria 60 x 48 x 1.5 inches · Acrylic on Canvas $4,444 Each commission and Practitioner painting comes with a detailed PDF documenting everything channelled throughout the painting process: stage-by-stage images, messages, songs, affirmations, and more.

Interested? View Lemuria here or reach out to me at lisa@lisakubik.com

TAKE LEMURIA HOME (in other forms)

Not ready for the original? Lemuria is also available as wearable art and home décor through Le Galeriste, a Montreal-based company that produces high-end clothing and accessories featuring original artwork. Same frequency, same sacred geometry, just a more accessible way to carry this energy with you.

Lemuria Wall Tapestry (The Amelie) ... imagine Lemuria watching over your healing space, your bedroom, your meditation corner. Every day.

Lemuria Canvas Tote (The Maxime) ... take her frequency with you to the farmers market, the yoga studio, wherever you go.

Lemuria Black Pouch (The Lou) ... sacred geometry in your handbag. Quietly working on you all day long.

Lemuria as a Print ... same frequency on your wall at a fraction of the cost of the original. Available in multiple sizes and formats through Pictorem.

Browse all Lemuria wearable art

AND NOW FOR SOMETHING COMPLETELY DIFFERENT

Or maybe not that different. Because if you’ve made it this far, you already understand that everything is frequency. Your thoughts. Your emotions. Your cells dividing according to sacred geometry whether you believe in it or not. The colour of the sky shifting your nervous system without asking permission.

So when I tell you that I also charge wine... you’re not going to look at me like I’ve lost it. Right?

INTRODUCING COSMIC COASTERS

Elevate Your Wine’s Frequency

I know how this sounds. I’m an artist who paints inter-dimensional healing portals and talks to dolphins on canvas, and now I’m telling you I can improve the taste of your Malbec with a coaster.

But here’s the thing: it works. And I’m not the only one who thinks so.

These Cosmic Coasters are a pack of four wallet-sized, 3.5” x 3.5” wine-proof charge cards that act as coasters. Each one is embedded with sacred geometry, colour frequencies, and light codes, the same energetic technology that powers my paintings, just in a size that fits in your purse and goes wherever you go. A restaurant. A dinner party. Your best friend’s house. That Tuesday evening when the week has been a lot and you deserve an upgraded glass of something.

How do they work?

The sacred geometry, colours, and light codes on each card emit an energy field that positively shifts the frequency of your wine. They clear any lower vibrations picked up during the winemaking process, and yes, I mean everything from a disgruntled grape to an unhappy worker to the bottle sitting in a liquor store absorbing the energy of every person who walked past it. The list is endless.

Hint: Research Nikola Tesla and the power of vibration and frequency. Then come back and read this section again. It’ll make a lot more sense.

DON’T TAKE MY WORD FOR IT

I use these cosmic coasters for my coffee and wine. It literally changed the alchemy and ultimately the taste. Still blows my mind. It’s a hoot to try the different ones as each person is different. It creates a smoother beverage every single time. My 88-year-old dad had me leave one of my coasters with him as he appreciated the shift in the taste as well. Lots of fun to try with friends and family. Love them! Highly recommend.” — Colleen H.

When an 88-year-old man who probably couldn’t care less about sacred geometry asks you to leave the coaster behind because he can taste the difference... that’s not a placebo. That’s frequency doing what frequency does.

THE FINE PRINT

Cosmic Coasters, 4 Pack: $22

Side effects may include a smoother finish, conscious conversations, laughter, and feeling uplifted the next day.

NOTE: Wine and wine glasses sold separately.

→ Elevate Your Wine’s Frequency



These coasters are multidimensional, which means they’re also multifunctional. Place them under your coffee, your water, your crystals, your food, in your fridge... anything you want to energize, clear, or uplevel. They also work brilliantly as bug shields on summer evenings. Sacred geometry: keeping your Chardonnay both elevated and fly-free since 2023.

COMING NEXT WEEK

Next time, I’m introducing you to a Practitioner who roars. Plus more synchronicities that will make you question everything (in the best way), and more proof that the mystical and the hilarious are closer than you think.

If this edition resonated, or if you just want to see the look on your friend’s face when you tell them you’re charging wine now, share it. The subscribe button is right there, and The Practitioners would like a word with more people.

With love, light codes, and a well-charged glass of red,

Lisa

People ask me which painting is my favourite. They are all my favourites but there is one I have a relationship with. His name is Chief Golden Age, and it’s serious.

He’s been with me for years. The one painting I’ve never been able to let go of energetically, the one I keep coming back to, the one that now watches me from across the room with those eyes like he knows something I haven’t figured out yet.

Turns out, he did.

I need to tell you something I probably should have shared a long time ago. Chief Golden Age is, for lack of a better title, the CEO and Founder of The Practitioners. Every painting I’ve ever created as part of that collection has come through under his watch and yet I’ve never formally introduced him. He’s been the one running the show while I brought through messages for everyone else.

Consider this his long overdue debut.

Years ago, I met someone who was a keeper of the crystal skulls. If you’re not familiar with the prophecy, according to ancient legend, there are 13 life-sized crystal skulls, often linked to the Mayans or said to originate from Atlantis. The belief is that when all 13 are brought together, they will reveal the secrets of the universe: knowledge about ancient civilizations, humanity’s future, and extraordinary healing powers. The 13th skull is known as the “master”, the catalyst that activates the others.

I didn’t know any of this consciously when I started painting. But something activated in me after that meeting, perhaps a remembering from a previous lifetime or an energetic download from the skulls themselves. All I knew was: I had to paint this.

What emerged over time was Chief Golden Age. There are 14 eyes in this painting. Twelve form a circle around the Chief, witnessing from every direction, representing the 12 crystal skulls. There is no angle from which you are not being seen. The Chief himself, that ancient, knowing face at the centre of their gaze, is the 13th skull. The master. The catalyst. He is emerging through a portal, and his arrival signals that we are entering the Golden Age. This is my story anyways.

And then there are his own two eyes. The 12 skulls may watch. But the Chief? He seesinto you and through you. Wherever you move in the room, his gaze follows. I found this out the hard way. You can’t get away with anything in his presence.

The golden triangles woven through the composition reference the pyramids, Aztec, Egyptian, the ancient structures that have always been connected to sacred knowledge and higher consciousness. The sacred geometry medallion at his temple holds the codes and the sweeping waves of colour and feathers radiating from his headdress. That's frequency made visible. His energy reaching outward in every direction, alive and in motion.

I didn’t plan any of this. It came through me, not from me. And when I finally learned about the crystal skull prophecy and realized what I’d painted, an ancient promise encoded in colour, geometry, and light, I understood why this painting has always felt different from the others.

He’s not just a painting. He’s an activation.

THE TEACHING: WHY COLOUR AND SACRED GEOMETRY HEAL

Here’s something most people don’t realize. Colour isn’t just visual, it’s vibrational. Every colour carries a specific frequency, and your body responds to it whether you’re conscious of it or not. That warmth you feel standing in sunlight isn’t just heat, it’s frequency. The calm that washes over you when you look at the ocean isn’t just a nice view, it’s the blue spectrum speaking directly to your nervous system.

Sacred geometry works the same way. The hexagon in a honeycomb. The spiral in a nautilus shell. The fractal patterns in a fern. These aren’t random shapes, they’re the architecture of creation itself. Your DNA is structured in sacred geometry. Your cells divide according to it. When you see these patterns, something ancient in you recognizes them and not intellectually, but cellularly.

My paintings use both of these elements of colour frequency and sacred geometry as healing technology. Not metaphorically. Literally. When you sit with one of The Practitioners, the colours interact with your energy field and the geometry begins to unlock codes that are already within you. It’s not that the painting gives you something you don’t have. It’s that it reminds you of everything you forgot.

No words necessary. No belief required. Your body already speaks this language. It’s been speaking it since before you were born.

THE BIGGER PICTURE: HEALING BEYOND THE CONVENTIONAL

I want to plant a seed here, and I’ll water it in future editions.

Much of what we experience as illness or imbalance in our bodies didn’t start as a physical problem. It started as energy. Stuck emotions, unprocessed experiences from this lifetime or others, patterns held so deeply in the body that they eventually manifest as symptoms.

The conventional approach treats the symptom. And sometimes that’s necessary and important and I’m not here to tell anyone to throw away their medicine. But I am here to say that there’s a deeper layer available. Healing that goes to the root. Healing through frequency, through colour, through the ancient technology of sacred geometry.

The Practitioners exist to support that kind of healing. Chief Golden Age exists to remind us that the knowledge has always been here encoded in crystal, in geometry, in colour, in the very structure of nature, waiting for us to remember.

LISTEN TO THE PRACTITIONERS SPEAK

Here’s something I created that I haven’t shared widely. I used to animate my paintings and let the spirits within them deliver their messages directly. Yes, the paintings talk and they have lots to say!

If you’ve ever wondered what a multidimensional healing painting sounds like when it has something to tell you, now you know.

PRINTS INCLUDING THE CHIEF HIMSELF

The original Chief Golden Age painting no longer lives with me. That’s a story for another day (and possibly another lifetime). But his energy can’t be destroyed, and he lives on through canvas prints, puzzles, clothing, and more. If you want those 14 eyes watching over your living room and trust me, they will, this is your chance.

WHAT’S COMING NEXT

In the next edition, I’m going to tell you about the time I created quantum frequency wine charging cards. The tagline was: “Side effects may include a smoother finish, conscious conversations, laughter and feeling uplifted the next day. NOTE: Wine and wine glasses sold separately.”

I am not kidding and I’ll explain exactly how frequency works on wine and on everything else.

You’re going to want to be here for that one.

IN CLOSING

Chief Golden Age has been watching over my work for years. He’s been the silent presence in the studio and the energy behind every Practitioner. 

The CEO. The Founder. The one who started it all.

If you’ve made it this far, he sees you. And between you and me, I think he’s been waiting for you.

With love, light codes, and 14 eyes that see everything,

Lisa Kubik Artist. 

Healer. In a committed relationship with a painting and not sorry about it.

Hello Humans,

I’ve been quiet for a while. If you’ve been wondering where I disappeared to, honestly, so was I for a moment there.

A few years ago, I felt something shifting. My commission work, which had been the heartbeat of my creative life for years, started to slow, not because the magic was fading, but because something new was pulling at me. I couldn’t name it yet, but I could feel it. Something was on the horizon but I didn’t expect the future to arrive wearing a beekeeper’s suit.

HOW THE BEES FOUND ME

THE BEE STORY

Two years ago, I walked into a pub near my home and ran straight into someone I hadn’t seen in 18 years, Herman Van Reekum. I’d worked for Herman almost two decades ago as a graphic designer for his immigration company. We’d completely lost touch but a house-sitting gig brought him and his wife Shelley to my neighbourhood, and there they were, drinks in hand and smiles on their faces. 

You know those moments where time collapses and you just know? That was this. The connection was immediate, electric, and deeply familiar. We became soul family on the spot.

Here’s where it gets interesting. Herman was in the early stages of launching a startup called Bee Cube® developing climate-controlled apiaries to help address Canada's honey bee crisis. He needed a graphic designer and I excitedly saw this as the new chapter presenting itself. The universe, as usual, had impeccable timing.

But it wasn’t just the design work that pulled me in. It was the bees themselves.

Early on in our conversations, I shared with Herman, the idea of a healing bee bed. The bee bed is a healing modality where you literally lie above a hive and absorb the vibration and frequency of the colony. If that sounds like something straight out of my painting practice, that’s because it is. Frequency. Vibration. Healing through resonance. The bees were already speaking my language! 

And then, a new Practitioner (painting) was born.

INTRODUCING: HIVE VIBE

The moment Herman and I reconnected, the vision of this painting presented itself. It took two years to complete and I finished it just last week.

Hive Vibe is a golden spiral emerging from the honeycomb sacred geometry, surrounded by what I can only describe as the living frequency of the hive. If you look closely, you’ll see the hexagonal cells of the comb woven throughout, glistening with droplets of energy, or maybe that’s honey. Maybe it’s both. (The bees aren’t telling.)

This piece represents everything that’s been unfolding in my life: the merging of ancient healing wisdom with the natural intelligence of the hive, the spiral journey inward that always leads you somewhere unexpected, and the understanding that nature has been doing frequency healing long before any of us gave it a name.

The bees build in sacred geometry. They communicate through vibration. They operate as a unified consciousness. Sound familiar? It should, it’s everything The Practitioners have been teaching us.

Hive Vibe is 3’ by 3’ x 1.5”. Acrylic, glass paint, crystals and silk paint on canvas.

FOR THOSE NEW HERE

WHO ARE THE PRACTITIONERS?

If you’re just joining my world, here’s the short version: I create multidimensional quantum healing paintings. Yes, I know how that sounds. Stay with me.

These paintings, The Practitioners, are channeled works that function as living healing technology. They work through colour, sacred geometry, and frequency to support whoever engages with them. Each one carries its own codes, its own message, its own personality. They’re not just art you hang on a wall. They’re art that works on you while you hang out near the wall.



I’ve been creating them for years, and they’ve found their way into healing centres, private homes, and the hands of people going through profound transformation. I also have a number of original paintings ready to find their new homes! Which brings me to...

WHAT PEOPLE ARE SAYING

”The decision to have a soul painting done wasn’t taken lightly. I ended up finally deciding that my life needed to change, and I took the plunge and asked Lisa to do a soul painting for me... My life became fulfilled and peaceful. I got exactly what I didn’t know I needed. The painting itself is a treasure.” 

Laura T.

NEW: PRINTS ARE HERE

SAME FREQUENCY, MORE ACCESSIBLE

I know not everyone is ready to commission an original painting (they start at $2,400 and take 1–3 months of deeply channeled work, worth every penny, but I get it). So I’m thrilled to share that my art is now available as prints in a variety of mediums; canvas, acrylic, metal, wood and even murals. This company is Canadian owned out of Montreal called Pictorem. 

Same frequency. Same sacred geometry. Same light codes. Just a more accessible entry point.

WATCH: MY CREATIVE PROCESS

For those of you who want to go deeper, I have a 23-minute video on YouTube where I walk through my entire painting process. How bringing in the information works, what I see and feel as a piece unfolds, and why these paintings are so much more than pigment on canvas.

It’s probably the most honest I’ve ever been on camera. Fair warning: you might look at art differently afterward.

COMING NEXT

WHAT TO EXPECT FROM THIS NEWSLETTER

This newsletter is a new chapter for me, and I’m excited about where it’s going. In upcoming editions, you can expect:

• The healing power of colour - and why your body already knows how to read sacred geometry
• Stories behind the commissions - the beautiful, magical unexplainable journeys that unfold on canvas
• Healing bee beds - where beekeeping meets vibrational medicine
• Messages from The Practitioners - because yes, they have things to say
• Moments of humour - because why take life so seriously

CLOSING

Thank you for being here. Whether you’ve followed my work for years or you’re brand new to this space, welcome. There’s room for everyone here.

If this resonated with you, share it with someone who might need a little more frequency in their world. And if you have questions, thoughts, or just want to say hello, I’d love to hear from you.